
Randy Rhoads Recordings are too important for MP3
Moderators: Randy Perry, The Flying Dutchman, Stiltzkin, skezza, Trigger
Randy Rhoads Recordings are too important for MP3

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Re: Randy Rhoads Recordings are too important for MP3
i think it's a matter of size and downloadtime. think of it like this ...hansolo wrote:Hey, I know I just joined but I just downloaded a couple shows and they are MP3. Yuck! How can you do that?
you have an album with 10 songs, each roughly around 4mins.
that would be equal to approx 4mb of harddrive space(for a decent
file, there are better which are somewhat larger

take to much time to download

now, if you have excellent quality files i WAVE format of the same album.
it oughta equal atleast 40-50mb for each song. that would be a total
of 4-500mb and that takes even more time downloading.
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No offense intended, but 99% of the bootleg recordings have crappy sound to begin with. "Audiofiles" who want to get as close to perfection as possible should simply look elsewhere for their recordings. Some of us are happy to just hear a show and leave it at that. I have most of these shows downloaded and rarely listen to them.
If you want good quality of the studio recordings, go buy the CD.
I know this may piss some folks off, but mp3 is the standard. It may not be the best, but it is the standard and I feel we should make these recordings available to as many people as possible.
If you want good quality of the studio recordings, go buy the CD.
I know this may piss some folks off, but mp3 is the standard. It may not be the best, but it is the standard and I feel we should make these recordings available to as many people as possible.
Re:MP3
I just listened to Cardiff Wales and it does sound pretty good. I just believe it degrades as it's passed along. We have all heard some friend's download from limewire that sounds like poop on a stick... Those high cymbals fading or degrading. So, I just worried about the future so, to speak. Do ya dig, man?
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Oh, I definitely agree that some downloads are horrible!
I usually run any boot I download through Adobe Audition (used to be Cool Edit Pro) to remove as much hiss as possible - it's amazing how much that improves the quality. Then I copy the track twice and boost/clarify bass levels on one and treble levels on the other. Then I multi-track them with the original and almost always come away with a superior version than I started with.
What amazes me is downloading a studio track that is super low, volume-wise. Simply boosting the volume helps. Then running a preset EQ can do wonders.
I realize Adobe Audition is a bit pricey, but how many guitar players have thousands invested in multiple guitars yet won't ante up for some quality recording software? What's the point in having 5, 6, 7 guitars and a bunch of crap recordings to be inspired from or an inability to create your own decent demos?
Ultimately, I do see your point about the sound quality, but even with mp3s there is a lot that can be done to improve them.
I usually run any boot I download through Adobe Audition (used to be Cool Edit Pro) to remove as much hiss as possible - it's amazing how much that improves the quality. Then I copy the track twice and boost/clarify bass levels on one and treble levels on the other. Then I multi-track them with the original and almost always come away with a superior version than I started with.
What amazes me is downloading a studio track that is super low, volume-wise. Simply boosting the volume helps. Then running a preset EQ can do wonders.
I realize Adobe Audition is a bit pricey, but how many guitar players have thousands invested in multiple guitars yet won't ante up for some quality recording software? What's the point in having 5, 6, 7 guitars and a bunch of crap recordings to be inspired from or an inability to create your own decent demos?
Ultimately, I do see your point about the sound quality, but even with mp3s there is a lot that can be done to improve them.
This demonstrates one good thing.
At least enough of us care about the music to be interested in preserving Randys work in the best possible way, thats really cool
One other good thing that has emerged within the RR world is that we have been able to share his work in a way that might has removed a profit element and devalued them in cash terms.
This way the shows are kept as Fan property and are less likely to become a $ earning issue.
At least enough of us care about the music to be interested in preserving Randys work in the best possible way, thats really cool

This way the shows are kept as Fan property and are less likely to become a $ earning issue.
Cologne she'll wear silver and americard, She'll drive a beetle car and beat you down at cool Canasta. And when the clothes are strewn don't be afraid of the room touch the fullness of her breast feel the love of her caress she will be your living end.
Hi Hans,
I'd like to point out that almost every show (exluding about 3) are 192kpbs BLADE Mp3 quality and were ripped BY ME from the CD's provided to me by Trigger/Ian. This means that they are as close as you can get to the first gen, assuming that they haven't been through degrading processes before, but lets not forget, if that is the case, converting them to WAVE, FLAC wouldn't make a difference. I felt that 128 was a little too low, despite the fact I've had numerous people say they cannot tell the difference. 192kpbs in my opinion is the best compromise between size and quality
At the moment, people are able to download shows within a short space of time and be able to listen to them. Hell, i've even downloaded the odd show in Uni and listened to it through the headset. If we had them as wav files, this wouldn't be possible. Wav files can still be traded around the net ofcourse, but we are not trying to promote the sale or profit of these bootlegs. We are trying to merely provide Rhoads fans with a collection of recordings.
Thanks
I'd like to point out that almost every show (exluding about 3) are 192kpbs BLADE Mp3 quality and were ripped BY ME from the CD's provided to me by Trigger/Ian. This means that they are as close as you can get to the first gen, assuming that they haven't been through degrading processes before, but lets not forget, if that is the case, converting them to WAVE, FLAC wouldn't make a difference. I felt that 128 was a little too low, despite the fact I've had numerous people say they cannot tell the difference. 192kpbs in my opinion is the best compromise between size and quality

At the moment, people are able to download shows within a short space of time and be able to listen to them. Hell, i've even downloaded the odd show in Uni and listened to it through the headset. If we had them as wav files, this wouldn't be possible. Wav files can still be traded around the net ofcourse, but we are not trying to promote the sale or profit of these bootlegs. We are trying to merely provide Rhoads fans with a collection of recordings.

One thing here to add Joe, when I gave those audios to you to get ready for the site it was not only 100's of shows but many Many (inc the RR shows) were good 1st gen copies on well preserved and protected tapes. This makes much of our shows are of the highest available quality.skezza wrote:Hi Hans,
I'd like to point out that almost every show (exluding about 3) are 192kpbs BLADE Mp3 quality and were ripped BY ME from the CD's provided to me by Trigger/Ian. This means that they are as close as you can get to the first gen, assuming that they haven't been through degrading processes before, but lets not forget, if that is the case, converting them to WAVE, FLAC wouldn't make a difference. I felt that 128 was a little too low, despite the fact I've had numerous people say they cannot tell the difference. 192kpbs in my opinion is the best compromise between size and quality![]()
At the moment, people are able to download shows within a short space of time and be able to listen to them. Hell, i've even downloaded the odd show in Uni and listened to it through the headset. If we had them as wav files, this wouldn't be possible. Wav files can still be traded around the net ofcourse, but we are not trying to promote the sale or profit of these bootlegs. We are trying to merely provide Rhoads fans with a collection of recordings.
Thanks
It was a huge effort that we (mainly Joe) went to to provide this service and took months of planning to open the audio section as we see it today.
Cologne she'll wear silver and americard, She'll drive a beetle car and beat you down at cool Canasta. And when the clothes are strewn don't be afraid of the room touch the fullness of her breast feel the love of her caress she will be your living end.
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thankyou Shaun my eyes are filling up, I really can't speak Joe will have to read our pre-written speechGUITARIDOL5682 wrote:Three Cheers For Joe & Ian HIP HIPHIP HIP
HIP HIP

Cologne she'll wear silver and americard, She'll drive a beetle car and beat you down at cool Canasta. And when the clothes are strewn don't be afraid of the room touch the fullness of her breast feel the love of her caress she will be your living end.
I am just grateful to even HEAR all these live show nevermind being able to download and keep them for FREE! I spent most of my teenage years searching record stores for any RR stuff and when I did find something it was priced to the max and usually a mislabeled King biscuit rip off. Thanks for providing the audio!!!
+1 Jay , I guess we're from the " old school " way of thinking , ..some peeps these days want the world and for nothing ! and then complain about it !!!JAY wrote:I am just grateful to even HEAR all these live show nevermind being able to download and keep them for FREE! I spent most of my teenage years searching record stores for any RR stuff and when I did find something it was priced to the max and usually a mislabeled King biscuit rip off. Thanks for providing the audio!!!
