Randy Rhoads stories
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hey kodo. don't know the specs. his brother kelle said it's from the '50s. randy set me up with a fender champ which had a small output also but when i hooked it up to a mxr distortion+ it fairly screamed. his playing was very loud and emotionally powerful.KodoBeast wrote:Hey frank, I was reading up on fender harvards and it seemed they were only built with a power output of 10 watts, was this true?frank wrote:he had this fender harvard amp. it was real old, like from the fifties. the tolex (tweed?) had been stripped off and the bare wood had been varnished. it looked pretty cool and boy could he make it scream. sometimes the volume got away from him and the neighbors were always coming over to complain. one time he's playing away and suddenly he stops. a couple of seconds later we hear the front door pounding. he gets up to answer the door and i can hear a man just reading him the riot act. up one side and down the other. afterwards, he comes back and quietly sits down.
"well, he wasn't very nice!" at that moment he struck me as a six year old who had just been chastised.
Whatever the answer, do you recall just how loud randy played? I mean, to get neighbors to come over and complain, he must've been playing pretty loud, was it a little 10 watt harvard for sure?
Thanks alot
a photo of the amp is shown momentarily in the japanese tribute documentary. you can catch it if you're quick enough with the 'pause' button.
- The Flying Dutchman
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Hey Frank, did Randy also use a little Ampeg combo?frank wrote:there is also a photo of a peavy combo amp. i think he may have kept that one at musonia for lessons since i never saw it before.
Because that Ampeg combo is what they showed in the Japanese tribute documentary.
The winner of the rat race is still a rat.
no, i'm mistaken dutch. it must have been an ampeg amp that i was thinking of.The Flying Dutchman wrote:Hey Frank, did Randy also use a little Ampeg combo?frank wrote:there is also a photo of a peavy combo amp. i think he may have kept that one at musonia for lessons since i never saw it before.
Because that Ampeg combo is what they showed in the Japanese tribute documentary.
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hey simon. randy was not comedic. not with me anyways. he was dead serious about music although he made it fun and interesting. once zero farted and i blamed randy. he didn't think that was very funny though.siro_angel wrote:Hey Uncle Frank
I have a question bout Randy...
When he was teaching you what was the funniest thing he has ever done while teaching you?
Simon
I get blamed when Lily fartsfrank wrote:hey simon. randy was not comedic. not with me anyways. he was dead serious about music although he made it fun and interesting. once zero farted and i blamed randy. he didn't think that was very funny though.siro_angel wrote:Hey Uncle Frank
I have a question bout Randy...
When he was teaching you what was the funniest thing he has ever done while teaching you?
Simon


Cologne she'll wear silver and americard, She'll drive a beetle car and beat you down at cool Canasta. And when the clothes are strewn don't be afraid of the room touch the fullness of her breast feel the love of her caress she will be your living end.
Trigger wrote:I get blamed when Lily fartsfrank wrote:hey simon. randy was not comedic. not with me anyways. he was dead serious about music although he made it fun and interesting. once zero farted and i blamed randy. he didn't think that was very funny though.siro_angel wrote:Hey Uncle Frank
I have a question bout Randy...
When he was teaching you what was the funniest thing he has ever done while teaching you?
Simonalthough somtimes it's me

Better people....
Better food...
And better beer.
Better food...
And better beer.
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Correction
I have one correction. I spent half of the day yesterday with Dana Strum and the other half with Kelli Garni. Both of their interviews were amazing.
Kelli Garni was an incredible host and opened up his house to the film crew for 8 hours. Dana did the same with his recording studio. I have to correct one urban myth that came right out of Dana Strum's mouth. And being that he Randy and Ozzy were the only ones in the control booth and room at Randy's audition I have to believe that his story is accurate. Randy did not tune his guitar for Ozzy and then immediately get the job. He played the first 90 or so seconds of the solo from "Laughing Gas" before Ozzy lifted his head off of the console and told Dana to tell Randy he got the job. For the full story from Dana you will have to wait for the movie.
Kelli Garni was an incredible host and opened up his house to the film crew for 8 hours. Dana did the same with his recording studio. I have to correct one urban myth that came right out of Dana Strum's mouth. And being that he Randy and Ozzy were the only ones in the control booth and room at Randy's audition I have to believe that his story is accurate. Randy did not tune his guitar for Ozzy and then immediately get the job. He played the first 90 or so seconds of the solo from "Laughing Gas" before Ozzy lifted his head off of the console and told Dana to tell Randy he got the job. For the full story from Dana you will have to wait for the movie.
Peter M. Margolis
Film Director
Los Angeles, CA.
Film Director
Los Angeles, CA.
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Hello Peter
Thanks for sharing the story, have you busted many other Randy myths while you have been recording the film? I don't want you to spoil surprises for us with details but has it been fun meeting Randy through his closest friends?
Ian
Thanks for sharing the story, have you busted many other Randy myths while you have been recording the film? I don't want you to spoil surprises for us with details but has it been fun meeting Randy through his closest friends?
Ian
Cologne she'll wear silver and americard, She'll drive a beetle car and beat you down at cool Canasta. And when the clothes are strewn don't be afraid of the room touch the fullness of her breast feel the love of her caress she will be your living end.
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