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Nicole This is a real Gimme Gimme!

Posted: Mon Jun 22, 2009 8:08 pm
by Cpt Matt Sparrow
I played this for hours on Sunday morning after a great party in Bristol hosted by a friend I have met on the Gibson forums called Roger. It is a 1963 Gibson Byrdland and I am getting butterflies thinking about how it sounded..that is how good it was!

Matt

Posted: Mon Jun 22, 2009 8:10 pm
by Cpt Matt Sparrow
Jamming on the Byrdland

Posted: Mon Jun 22, 2009 9:07 pm
by Paul Wolfe


Matt, here's a lesson for playing a Byrdland.


Posted: Mon Jun 22, 2009 9:44 pm
by Cpt Matt Sparrow
Cheers Paul!

My mate Roger (the owner of the Byrdland) loves Nugent Paul.

here is his thread mentioning him from the excellent Gibson forum
http://forums.gibson.com/default.aspx?g=posts&t=9144

he is quite a character for sure

Matt

Posted: Tue Jun 23, 2009 1:42 am
by Ritchie
It is certainly a fine looking instrument .

Posted: Tue Jun 23, 2009 1:43 am
by Ritchie
ps .. Matt did it have round wound or flat wound strings on it ?

Posted: Tue Jun 23, 2009 5:23 am
by NicDots
LOL, the first thing I thought when I saw that first picture was Ted! That is an awesome guitar as well. 8)

Posted: Tue Jun 23, 2009 7:11 am
by Cpt Matt Sparrow
Ted and his Byrdlands

Posted: Tue Jun 23, 2009 7:20 am
by Paul Wolfe
Now that I've got the Gretsch, I am amazed at how Ted manages to control the feedback of his guitars... absolutely amazing!

Posted: Wed Jun 24, 2009 7:26 pm
by rice_pudding
Paul Wolfe wrote:Now that I've got the Gretsch, I am amazed at how Ted manages to control the feedback of his guitars... absolutely amazing!
whats it like transfering from solidbody to hollow? I've only ever owned solidbody electrics, a nice gretsch is very tempting though...

Rob

Posted: Wed Jun 24, 2009 7:44 pm
by Paul Wolfe
It's kind of nice actually. It's a bit bigger, depth-wise, but the action is still pretty low. It is tough to control feedback on a dirty setting though.